geoffrey wagner造句
例句與造句
- The story would become one of the most controversial of the period and samples of the art, including a panel from a dream sequence in which the heroine has her eye held open and threatened with a hypodermic needle, would be used in articles and books ( like Geoffrey Wagner's " Parade of Pleasure " ) about the pernicious influence and obscene imagery of crime comics.
- Among this group were not only Weaver, Viereck, Voegelin, Nisbet, Rossiter, and Kirk but other lesser known thinkers such as John Blum, Daniel Boorstin, McGeorge Bundy, Thomas Cook, Raymond English, John Hallowell, Anthony Harrigan, August Heckscher, Milton Hindus, Klemens von Klemperer, Erik von Kuehnelt-Leddihn, Richard Leopold, S . A . Lukacs, Malcolm Moos, Eliseo Vivas, Geoffrey Wagner, Chad Walsh, and Francis Wilson as well as Arthur Bestor, Mel Bradford, C . P . Ives, Stanley Jaki, John Lukacs, Forrest McDonald, Thomas Molnar, Gerhard Neimeyer, James V . Schall, S . J ., Peter J . Stanlis, Stephen J . Tonsor, and Frederick Wilhelmsen.
- A number of Ace stories were used as examples of violent and gruesome imagery in the 1950s U . S Congressional inquiries into the influence of comic books on juvenile delinquency that led to the Comics Code Authority, namely " Challenge of the Unknown # 6 ", " Crime Must Pay the Penalty # 3 " and " Web of Mystery # 19 " . " Western Adventures Comics # 3 " was used as an example in Fredric Wertham's " Seduction of the Innocent ", and in the United Kingdom " Atomic War # 4 ", " Beyond # 18 " and " World War III # 2 " were cited as examples by Geoffrey Wagner's 1954 book on the same subject, " Parade of Pleasure A Study of Popular Iconography in the U . S . A ".
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